Creative Habits

Routines that support creative work and learning, with Huberman on tools for learning and creativity and on workspaces for creative thinking, John Grisham on writing one page a day, Jelly Roll on songwriting, Ido Portal on play and practice, and Josh Richards on building an audience.

6 summaries cover creative habits, from 2 podcasts. See them all

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The Big Picture

Across these conversations, creative work is treated less as inspiration and more as something you do on a schedule. Author and teacher Seth Godin, talking with Lewis Howes on The School of Greatness, argues that passion is not something you find but something you choose, that creativity is a skill rather than a talent, and that the only thing a creator actually controls is the practice: showing up, doing the work as well as it can be done, learning from what happens, and doing it again [1]. John Grisham tells Mel Robbins much the same from experience: nothing got done on A Time to Kill until he made himself produce at least a page every day, and for five years he got up at five in the morning to do it before work [5].

Andrew Huberman supplies the biology around such routines. His core message is that habits are learned patterns of neural activity, so they can be deliberately built and dismantled [2], and in a solo episode he walks through when in the day he does focused learning and when he does creative work, and how light, caffeine, meals, exercise and non-sleep deep rest shape those windows [4]. Rick Rubin and Mel Robbins add the smaller habits around the work: capturing ideas, sleeping, and changing your surroundings [3][6].

Where the Experts Agree

  • Show up on a regular schedule. Godin's practice is showing up and doing it again [1]. Grisham's advice is to sit down and write a page, whether it takes 15 minutes or an hour, preferably at the same time, in the same spot, with the same coffee, as he still does after more than 50 books [5]. Huberman places habits in particular phases of the day [2].
  • Write ideas down. Rick Rubin writes notes in his phone constantly [3]. Grisham says that almost weekly he hears something, thinks "that's got potential," and writes it down [5]. Mel Robbins, recapping a habit she credits to Taylor Swift, says to get ideas out of your head and into a notes app or notebook [6].
  • Let ideas prove themselves over time. Grisham says most ideas fade with time and the good ones stick [5]. Rubin says ideas seem to have their own timing, so he keeps many projects going [3].
  • Protect sleep. Huberman says to protect sleep so the learning consolidates [2]. Robbins's recap, citing LeBron, is to protect at least eight hours of sleep and go back to bed if needed [6].
  • Don't let doubt run the work. Grisham says you have to keep working and not be smothered by doubt or fear [5]. Godin takes aim at reassurance and outcome-based goals [1]. Robbins's recap of Sara Blakely's habit is to make the call and ignore the self-doubt [6].

Where They Differ

The sources largely agree; the differences are of emphasis.

Sameness or novelty. Grisham's routine is deliberately identical each day: the same time, the same spot, the same coffee [5]. Robbins, drawing on Shigeru Miyamoto, says to wander, change your environment and meet people unlike you to shake loose ideas trapped by routine [6].

Strict or forgiving. Grisham's rule was at least a page every day [5]. Huberman's 21-day system is built to forgive: six habits with an expectation of four or five and no compensating for misses, followed by a test period to see what truly stuck [2].

Pushing through or waiting. Grisham's lesson is that nothing got done until he forced a daily page [5]. Rubin does not fight the universe when one project hits a wall while another sails along, though he doesn't abandon projects either [3].

Mindset or biology. Godin's case is about choice: choosing passion and committing to the practice [1]. Huberman builds his framework around autonomic arousal, meaning how alert or calm you are, and the 24-hour cycle [4]. He also stresses repeatedly that he shares his routine as an example rather than a prescription [4].

How to treat the reward. Godin questions outcome-based goals [1]. Huberman suggests rewarding the whole sequence around a habit honestly rather than just the act itself [2].

Practical Takeaways

  • Set a small daily minimum and keep it. Grisham's was one page a day, at the same time and in the same spot [5].
  • Put your hardest habits in the high-alertness first phase of the day and easier ones in the calmer second phase, as Huberman suggests [2].
  • Capture ideas as they come, in a phone note or a notebook [3][6]. Rubin admits he sometimes can't remember what a note meant, and says voice memos might be worth trying [3].
  • Try Huberman's 21-day structure: six habits, expect to do four or five, and don't compensate for misses [2].
  • Follow Grisham's blunt advice to writers: "Don't talk your book to death." [5]
  • Keep more than one project going, as Rubin does, so a wall on one doesn't stop you [3].
  • Protect sleep [2][6].
  • When routine has trapped your ideas, wander and change your environment [6].

Sources

  1. Habits of Success for Creatives, Artists & Entrepreneurs with Seth Godin · The School of Greatness
  2. Andrew Huberman on the Science of Making and Breaking Habits · Huberman Lab
  3. Rick Rubin: Protocols to Access Creative Energy and Process · Huberman Lab
  4. Optimize Your Learning & Creativity With Science-Based Tools · Huberman Lab
  5. John Grisham on Golden Moments, Rejection and Writing One Page a Day · The Mel Robbins Podcast
  6. Simple Life Hacks That Will Change Your Future (Steal These Habits From Billionaires) · The Mel Robbins Podcast

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